8mm Inches

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Standard 8mm film, also known as Regular 8mm film, Double 8mm film, or simply Standard-8, Regular-8 or Double-8 is 8mm film originally produced and sold by Eastman Kodak. in 1932.

8mm Inches

This format, originally known as Cine Kodak Eight, was developed by Kodak to provide a cheaper and more versatile alternative to the 16mm film introduced a decade earlier.

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Standard 8mm film has 16mm film that has been modified to have twice the number of holes at the edges, even though it uses the same number of holes. The film is handled by the camera, showing only the edges of the film (standard 8mm film size is 4.8mm x 3.5mm). The reel turns and the film passes again, showing the other side. After processing, the film is cut below the center and joined into one roll of 8 mm film. A standard size reel for amateurs has 25 feet of film, giving 50 feet of film to project; at a normal shooting speed of 16 frames per second, this gives about four minutes of video.

This format was an immediate success, but still had a number of inherent problems, mainly related to the fact that the spool had to be removed and replaced between takes. This process is difficult for the inexperienced user and must be done gently to avoid cracking the edges of the film. In addition, the central six feet of finished film includes a flash of light similar to the return area (unless the film has been reprocessed and spliced).

In the early 1960s, a new way of recording and displaying 18 frames per second was introduced, although most cameras and projectors had a higher speed setting.

The standard 8mm format was quickly replaced, in particular, by the Super 8mm film format – which uses cartridges, a 50% larger frame size and electrically operated cameras – from the 1960s onwards. The Super 8 was criticized because the film door in some of the cheaper Super 8 cameras was plastic, as was the pressure plate built into the cartridge; while the 8-inch cameras had a fixed metal film aperture that was considered reliable in maintaining film clarity and image quality. To be honest, this was not the case, as the plastic pressure plate can be made to have a slightly higher tolerance than its metal counterparts. Another criticism of Super 8 was that high-quality 8mm cameras allowed the film to be rewound – difficult but not impossible with a Super 8 cartridge – causing double exposure and smearing in the camera. Finally, the smaller Super 8 holes, while allowing for larger frame sizes, were also more prone to cracking.

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The first camera produced was Kodak’s own Cine Kodak Eight Model 20. Like many later cameras, it was very simple and clock-driven. In 1932 Siems & Halske Berlin produced a line of miniature 16mm cameras that used this film size as their film and produced the Standard 8 format which had Std. The 8 also had a video cartridge that eliminated fog in the middle of the video simply by turning the cartridge. The Swiss company Paillard-Bolex SA released its first 8mm camera in 1938 and its first 8mm ‘pocket’ camera aimed at the horror market, the L-8, in 1942. Bolex cameras and projectors continued. have the highest level of technology. The market. In the US, Bell and Howell introduced the 8 mm projector in 1934, and the Filmo Straight Eight camera in 1935, using pre-processed 8 mm film. Standard 8mm equipment was also produced by Carl Zeiss, Siems & Halske Berlin, the Austrian company Eumig, Fuji (as Fujica), and Canon, among others.

Eastman Kodak stopped making this film in 1992. However, the film sold privately by a “major American manufacturer” (which only one company can qualify for) continued until late 2011.

, John Schwind, of International Film, is the sole worldwide distributor of this “great American company.”

There are many cameras that are still used by professional filmmakers, sports enthusiasts and other non-sports enthusiasts around the world. In the summer of 2003, John Schwind and Karl Borowski had the opportunity to convince Kar K. Dumont, an employee of this “super producer” to release the last K-14 type film ever coated, called “Cine Chrome 40A. .” This was the first new version of the K-14 stock since 1988, 40 speed film, with tungsten anti-stop “Cine Chrome 25”, another K-14 product.

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This film was preserved until 2006, due to the discontinuation of Kodachrome 40A in the same year.

The film most commonly used is made by Kodak. In particular, the 10 ASA Kodachrome color transfer, with contrasting color and fine grain, was closely related to the scene. Kodachrome II, rated at 25 ASA, was introduced in the early 1960s. Kodak continued to produce standard 8mm film until 1992, although its 16mm stock is still processed and repackaged by other companies. Other films from different manufacturers, such as Agfa’s Agfachrome, were also available. And independent dealers stocked additional film, a film for restoration and packaging such as Kodak’s black-and-white Tri X, rated at ASA 200.

The high quality of Kodachrome means that old 8mm film can look like new if stored in the right conditions.

Various attempts have been made to reduce the use of 8mm film over the years, but none have been very successful. The Straight Eight format, which uses pre-processed 8mm film, was popular in Europe, where Agfa produced its stock. Kodak introduced a cartridge opening machine, but it was not as popular as 8mm film and was discontinued in the early 1980s. Other manufacturers (such as Ptacon in East Germany) produced cameras with special cartridges that could be loaded with 8mm spools. They are simply taken out and folded in half, to avoid re-inserting the film.

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Although several cameras were developed that could record sound directly onto film (Fairchild Cinephonic Eight cameras, Fairchild Professional 900 cameras, and Pictorial cameras), there were many projectors that could record and reproduce sound on a magnetic line.

For cameras, this line must be added to the film before exposure. For projectors, lines had to be added to the film after processing. A line is added between the holes and the edge of the film (see image above). Sometimes a horizontal line is added in the second part. This served no purpose other than to allow the film to lie completely flat in front of the display window. For interactive speech, the speech is spoken as 56 frames before the image. For the Cinephonic Eight cameras, the image/sound separation was 52 frames. Sixty-six frames was the same distance as the magnetic field on a 16mm film screen (or 28 frames in that format). Light noise was never mentioned because there wasn’t enough screen space for the track.

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Although standard 8mm was originally developed as a medium for amateur film production, popular film formats were not available for home viewing until the 1970s. These are often modified to fit a 200 ft reel. There were many Charlie Chaplin films and other sleaze films. Short films with conversational themes were also released, including Dick W. C. Fields’ The Bank, which highlighted the film’s escapades. It was both a press release from the previous year and a short version of the audio cartoon. The Castle films were the best selling of these films. The Walt Disney studio released sequels to many of its films, as well as some shorts, in Standard and Super 8, some with magnetic sound. Product innovation in the US did not stop until the late 1970s. Have you ever found yourself in the middle of a recipe and realized you didn’t know how many teaspoons are in 2/3 cup? Don’t worry – we’ve all been there! Knowing how to control portions is important when it comes to cooking and baking, but trying to determine the right amount can be tiring… Read more

Wondering how many ml are on the table? You are not alone, because this is one of those questions that chefs and bakers have a hard time answering. Knowing exactly how many milliliters (mL) are in a teaspoon can be confusing because they vary from country to country. So if… Read more

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